![]() ![]() Pleasure Island feels too much like where rafts of financially motivated remakes like “Pinocchio” might properly reside. Zemeckis’ film, in its ways just as representative of its cinematic era, keeps much of the 1940 film’s narrative shape but maintains little of its tension as a morality tale. This “Pinocchio,” unfortunately, is no real boy, at all. The effect is an awkward fusion of fake and real that strains to find any magic in between. ![]() But if we’re being honest here, he’s always been a bit of a dud.ĭo you cast a young actor to play the puppet once brought to life? Alongside some live performers (Tom Hanks, Cynthia Erivo) and some CGI characters, director Robert Zemeckis has used computer imagery to render Pinocchio (voiced by Benjamin Evan Ainsworth) much in the style and vocal pitch of the 1940 cartoon. Most pressing: What you do with Pinocchio? Nice kid and all. Whether any of these movies have done much to improve the originals is very much up for debate, and undertaking “Pinocchio” poses even more particular challenges. has finally gotten around to “ Pinocchio.” Along the way, there have been some nice performances, enormous heaps of CGI and, lest anyone forget, one very blue Will Smith. After a string of live-action remakes, from “Beauty and the Beast” to “The Lion King,” the Walt Disney Co. ![]()
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