![]() ![]() Just as Carlos’ original score heralded the 80’s synth revolution, Punk’s work will undoubtedly serve as our musical millennium’s LEGACY as to how hip film scoring keeps evolving into an electro-symphonic hybrid that’s as much about technological innovation as it is about making us feel the awesomeness of the kind of imagery that both TRONs have in spades. #TRON LEGACY SOUNDTRACK DREAMS MOVIE#Yet while they’re state of the musical art, Daft’s coolest trick is realizing that they can’t stint on the kind of emotional themework that only an orchestra can deliver to a movie score, backing up their stunning rhythms with hard-edged human players. Buoyed by an imposing motiff that might make listeners feel like they’re back in INCEPTION’s dreamscape, Punk’s score has numerous sonic terrains to offer, a mix tape of dance-dance revolution chases, glo-stick club tunes (which Daft is seen spinning), neo-Fascist marches and surreal, hardcore sci-fi atmospheres. Stewart (as David Stewart) Performed by Eurythmics. Sweet Dreams (Are Made of This) Written by Annie Lennox and David A. By arrangement with Sony Music Entertainment. If you like my work you can buy me a coffee, support me on Patreon or support me by buying merch. ![]() It is the only film score by French music duo Daft Punk. ![]() In a retro synth score year that includes the likes of THE SOCIAL NETWORK and SCOTT PILGRIM SAVES THE WORLD, LEGACY’s mosh pit of tastily familiar samples will undoubtedly return TRON-generation fans to the happy days of Vangelis and Tangerine Dream, not to mention progressive bands like Yes. This CD has all the music from the movie with the exception of the two 80s pieces, Separate Ways and Sweet Dreams -not sure about the title of the. Written by Steve Perry and Jonathan Cain. Released: 27/05/22 Tron: Legacy is the soundtrack album to the 2010 film of the same name, originally released on December 3, 2010. What you will get from electronica superstars-turned-masked composers Daft Punk is an icily epic sound that brilliantly matches the new, austerely Kubrickian imagery on thrilling display, while also delivering on the whiz-bang action pitched towards a young audience whose listening tastes have significantly evolved since the days of 8-bit Atari music- not that Punk isn’t going to remind them of those glory days. It’s a cold, dark and mesmerizing world 28 years later on the game grid, so don’t expect any of the playfully lush themes that Wendy Carlos gave you geeks the first time out- unless you’re counting Jeff Bridges’ brief A Capella improv at the start of LEGACY. ![]()
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